Singer, songwriter, bass player and co-founder of The Eagles, Randy Meisner has passed away…
Meisner died Wednesday night, aged 77, due to complications from chronic obstructive pulmonary disease, according to a statement from the band.
“Randy was an integral part of the Eagles and instrumental in the early success of the band,” the band said in the statement. “His vocal range was astonishing, as is evident on his signature ballad, ‘Take It to the Limit.’”
Before he formed The Eagles in 1971 with Don Henley, Glenn Frey and Bernie Leadon, in May 1968, after auditioning alongside Gregg Allman and Timothy B. Schmit, Meisner joined Poco (originally named Pogo) with former Buffalo Springfield members Richie Furay and Jim Messina.
Meisner was with the Eagles from their self-titled 1972 debut album through 1976’s “Hotel California”, before quitting the group in 1977. (He was replaced by Timothy B. Schmit, who had also succeeded Meisner in Poco when he had departed the group to form the Eagles.)
With The Eagles, Meisner wrote, co-wrote and/or sang lead songs on each of the group's first five albums.
The classic Eagles song “Take It To The Limit” was sung by Meisner, and written by Meisner, Don Henley and Glenn Frey.
According to Meisner, he wrote the first few lines of the song one night while playing an acoustic guitar after returning from the Troubadour nightclub in West Hollywood; however he was not able to finish the song by the time they were close to recording it, so Frey and Henley then helped him with the lyrics.
Meisner's performance of the song was a huge fan favourite at Eagles concerts.
According to Frey, fans of the band loved Meisner's performance of his signature song, and as Henley puts it: "They went crazy when Randy hit those high notes".
Meisner, however, was concerned about not being able to hit the high notes, but Frey was insistent that Meisner should perform the song in concert for the fans, and live performances of the song then became a source of great contention between Frey and Meisner.
It came to a head during the “Hotel California” tour, where Meisner had been struggling to hit the crucial high notes.
According to Joe Walsh, Meisner could perform the song, but would become nervous when told he had to sing it.
By the time they had reached Knoxville, Tennessee in June 1977, the band was feeling the strain of a long tour, with Meisner unhappy and suffering from a stomach ulcer.
Meisner decided not to sing the song for an encore because he had been up late and caught the flu.
Frey and Meisner then became involved in an angry physical confrontation backstage over Meisner's refusal to perform the song.
After the altercation, Meisner was frozen out from the band and he decided to leave.
Randy Meisner left the Eagles at the end of their tour in September 1977.
Post-Eagles, Meisner focused on a solo career.
An absolute legend of rock……R.I.P.
Click on the link below to watch the Eagles performing his classic “Take it To The Limit”:
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On this day in 1977, the Joe Walsh single “Rocky Mountain Way” broke into the UK Top 40 at #39 (July 24)
The Joe Walsh signature song with the pulsing beat and brilliant slide guitar was originally released on the 1973 album “The Smoker You Drink, the Player You Get”, and it’s been a live favourite in all of Joe Walsh’s bands over the years…
The 1977 release peaked at #39 in the UK, while the original 1973 release got to #23 in the US, #31 in Canada, and #39 in Australia.
Click on the link below to watch Joe do this classic live:
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On this day in 1965, The Beach Boys single “California Girls” debuted on the US Billboard Hot 100 at #72 (July 24)
The song eventually made it to #3 in the US, and became one of The Beach Boys most famous songs.
Brian Wilson has described it as The Beach Boys “anthem”, and in 1987 he said “California Girls was something I'm very proud of in a sense because it represents the Beach Boys really greatest record production we’ve ever made. It goes back to 1965 when I was sitting in my apartment, wondering how to write a song about girls, because I love girls. I mean, everybody loves girls.”
In 2010, “California Girls” was inducted into the Grammy Hall of Fame for its "lasting qualitative or historical significance." In 2011, Rolling Stone magazine ranked it #72 on its list of the "500 Greatest Songs of All Time".
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On this day in 1965, the Bob Dylan single “Like A Rolling Stone” debuted on the US Billboard Hot 100 at #91 (July 24)
Rookie session musician Al Kooper improvised the organ riff for which the track is known, but Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it.
It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached #2 in the US Billboard charts and became a worldwide hit.
When Songfacts asked Al Kooper what stands out as his finest musical accomplishment, he said: "By the amount of emails I receive and the press that I get it is undoubtedly the organ part on 'Like A Rolling Stone.'”
Songfacts also shared that the song made Bob Dylan an unlikely inspiration for Jimi Hendrix, who before hearing it considered himself a guitarist but not a singer, with Dylan proving you didn't need a conventional voice to sing rock and roll.
Hendrix often played "Like A Rolling Stone," including a performance at the 1967 Monterey Pop Festival.
In 2010, Rolling Stone named "Like a Rolling Stone" as the #1 song on their list of the "500 Greatest Songs Of All Time", and in 1995 the Rock & Roll Hall of Fame named it as one of the “500 Songs That Shaped Rock”…
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On this day in 1982, the John Cougar song “Jack & Diane” debuted on the US Billboard charts at #69 (July 24)
One of the great 80s singalong rock songs!
The song was released as the second single from Mellencamp's 1982 album “American Fool”, and was chosen by the Recording Industry Association of America (RIAA) as one of the “Songs of the Century”.
The song established Mellencamp as a blue-collar, heartland American rocker, and working class Jacks and Dianes all over the country, and indeed the world, identified with the pair and fell in love with the song.
Legendary English guitarist Mick Ronson was crucial in the process.
Mellencamp recalled:
“I owe Mick Ronson the song... Mick was very instrumental in helping me arrange that song, as I'd thrown it on the junk heap.
Ronson came down and played on three or four tracks and worked on the American Fool record for four or five weeks.
All of a sudden, for 'Jack & Diane,' Mick said, 'Johnny, you should put baby rattles on there.' I thought, 'What the f*ck does put baby rattles on the record mean?'
So he put the percussion on there and then he sang the part 'let it rock, let it roll' as a choir-ish-type thing, which had never occurred to me.
And that is the part everybody remembers on the song.
It was Ronson's idea.”
Mellencamp’s drummer, Kenny Aronoff, had to come up with the drum break in the middle of the song on the spot, and it became one of the classic rock drum breaks.
“Jack and Diane” spent four weeks at #1 on the Billboard Hot 100 in 1982 and is Mellencamp's most successful hit single.
It was also #1 in Canada and #7 in Australia.
The Sun October 10, 2008 asked Mellencamp if it bothered him being best known for this little ditty.
He replied:
“That song is 30 or so years old and it gets played more today in the United States than it did when it came out. As much as I am a little weary of those two, I don't know any other two people in rock and roll who are more popular than Jack and Diane.
Some people probably think there's a place in hell for me because of those two people! But it gave me the keys to do what I want.
I'm 57 today. I've lived the way I wanted to live, sometimes recklessly and stupidly, but still been able to do that. I've been able to live on my whims, that's what Jack and Diane gave me, so I can't hate them too much."
Some of Mellencamp's high school photos and home movies were used to make the video, which the video production company made for him as a favour.
Paul Flattery, who worked for that production company, explained in the book “I Want My MTV” that Mellencamp made a special request after those videos were completed:
“He said, 'Look, there's a song on the album the label doesn't believe in. But I do. Can you do me a favor and save one roll of film, shoot me singing the song, I'll give you some old photos and stuff and then you cobble it together for me?
The song was 'Jack & Diane.' So we stole some editing time in LA.
We projected slides on the edit room wall, and we had the tape-op wear white gloves to do the clapping.
We didn't charge John a cent."
Click on the link below to watch it:
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Exactly forty years ago, on this day in 1983, the Elton John single “I’m Still Standing” debuted on the UK charts at #42 (July 24)
Helped by the video directed by Russell Mulcahy promoting the song on then-new MTV, “I'm Still Standing" became a big hit for Elton around the world, peaking at #1 in Canada and Switzerland, #3 in Australia, #4 in the UK, #8 in the Netherlands, #9 in South Africa, and #12 on the US Billboard Hot 100.
The video was due to be shot over the course of two days, but a camera full of the first day's film was ruined when Mulcahy accidentally fell into the sea with it, so it had to be filmed again on another day….
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Exactly thirty years ago, on this day in 1993, the UB40 single “(I Can’t Help) Falling In Love With You” hit the #1 spot on the US Billboard charts (July 24)
The UK reggae band’s cover of the 1961 Elvis hit stayed at #1 in the US for for seven weeks, and also topped the charts of 11 other countries, including Australia, Austria, the Netherlands, New Zealand (where it was the most successful single of 1993), and the United Kingdom.
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Last week back in 1976, the Thin Lizzy LP “Jailbreak” peaked at #18 on the US Billboard 200 Albums Chart (July 24)
The sixth studio album by the Irish combo proved to be the band's commercial breakthrough in the US, boosted by their biggest US hit “The Boys Are Back in Town", which went on to become one of Thin Lizzy’s signature songs.
The album went to #5 in Canada, #10 in the UK, #18 in the US, and #51 in Australia.
Click on the link below to watch “The Boys Are Back In Town” live at the Sydney Opera House:
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On this day in 1976, Wild Cherry’s self-titled LP debuted on the US Billboard 200 Albums Chart at #100 (July 24)
Wild Cherry’s debut studio album gave us the classic single "Play That Funky Music".
The American funk rock band began to develop a following in the Pittsburgh area as the disco craze was becoming increasingly popular, and they were repeatedly asked by listeners to play more dance music.
While brainstorming for new song ideas, drummer Ron Beitle recounted hearing a fan shout, "Are you white boys gonna play some funky music?"
Lead vocalist and guitarist Rob Parissi was inspired to write a song based on the phrase, so he began writing on a drink order pad with a pen borrowed from the bartender.
After the band recorded the song, studio engineer Ken Hamann brought the band to the attention of Sweet City Records, distributed by Epic/CBS, which signed the group.
Parissi had intended to record the song as the B-side to a cover version of the Commodores' "I Feel Sanctified", but the label suggested it as the A-side instead.
"Play That Funky Music" became a huge hit, peaking at #1 on both the Billboard R&B and Hot 100 charts.
Both the single and Wild Cherry's self-titled debut album went platinum.
The band was named Best Pop Group of the Year by Billboard and received an American Music Award for Top R&B Single of the Year as well as a pair of Grammy nominations for Best New Vocal Group and Best R&B Performance by a Group or Duo.
"Play That Funky Music" was the only hit on the album, although "Hot to Trot" was a minor follow-up hit in some non-US markets.
The album went to #1 on the Billboard R&B Chart, #5 on the Billboard 200 Albums Chart, #12 in the Netherlands, and #17 in Norway.
Click on the link below to watch "Play That Funky Music":
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The Specials rhythm guitarist and vocalist Lynval Golding was born in Jamaica on this day in 1951 (July 24)
The Jamaican-born musician who moved to the UK formed Fun Boy Three with Terry Hall and Neville Staple after 2 Tone pioneers The Specials split, and he’s still actively performing to this day.
I had the pleasure of watching him in The Specials a few years ago, and a highlight was his solo performance of Bob Marley’s “Redemption Song”.
Click on the link below to watch The Specials doing a brilliant version of “Madness”:
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